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While the manual focusing and 3D view may have limited uses, the ability to record stereoscopic 3D on a full-frame camera could entice a few creatives. The Canon RF 5.2mm f/2.8 L Dual Fisheye is scheduled for arrival in late December. Canon says that the Camera Connect app and EOS Utility will be updated for remote live view.
A similar program will be developed as a plug-in for Adobe Premiere Pro. Canon’s VR Utility is a stand-alone program that will convert the image for VR headsets, make “quick edits,’ and change the resolution and file type before exporting. The world’s first digital swappable dual fisheye lens will allow photographers and filmmakers to shoot virtual reality (VR) stereoscopic 3D images and video on the company’s EOS R5. Filters, of course, won’t fit such a non-traditional lens so Canon incorporated a built-in gelatin filter holder, which can use ND gels.Ĭanon is developing two programs to convert the image but both will be paid subscriptions. Canon USA has revealed its first entry in the immersive filmmaking industry with its RF5.2mm F2.8 L Dual Fisheye camera lens, the company announced on Wednesday. Canon says that the lens also features coatings for flare control.ĭespite the odd design, the Canon RF 5.2mm f/2.8 L Dual Fisheye is still weather-sealed, including fluorine coating on the front optics. The aperture range is f/2.8 to f/16, with a seven-blade aperture. The lens is capable of manually focusing on objects that are as close as 7.87 inches from the lens. Users will be able to adjust the focus difference between the left and right lens with an adjustment dial that requires a hexagonal wrench. There is no autofocus motor, so the optic is manual focus only. Most of the traditional distortion calibration method uses target plane. The 60mm spacing between these two optical systems. However, in some cases this distortion is not allowed, then it requires calibrations of those distortions. 2mm F2.8 L Dual Fisheye lens can capture two different images (Left and Right) onto a single image sensor.
In order to cover a large scope of light, barrel distortion is artificially added to the optical system. The lens isn’t without sacrifices, however. The fisheye lens is a kind of ultra wide angle lens, which can produce a big super-wide-angle lens distortion.
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Canon will also release an EOS VR Plug-In for Adobe Premiere Pro that will allow users to convert footage, cut and color. An upcoming Canon VR Utility will be able to convert those circular images to the equirectangular shape that VR headsets use. Canon says that the pair delivers “natural parallax closely resembling human vision when viewed through a compatible headset.” The two 5.2mm f/2.8 lenses record to the R5’s image sensor at once, which creates two circular images in one frame. The “odd” lens puts two fisheyes onto a single Canon RF mount. The 3D lens will work with the R5 with an upcoming firmware update, as well as with upcoming Canon VR software. The Canon RF 5.2mm f/2.8 L Dual Fisheye is the first interchangeable dual lens that can capture stereoscopic 3D, 180-degree images to a single image sensor. But, photographers will soon be able to capture 180-degree 3D images using a single camera and lens, thanks to Canon’s Dual Fisheye lens.
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You will be able to process still images and certain clip lengths for free in the EOS VR Utility.Shooting virtual reality requires either a dedicated VR camera with multiple lenses, or multiple cameras set up with scientific precision. However, free trials will be available at launch. The EOS VR Utility and Canon EOS VR Plug-In for Adobe Premiere Pro should be available by late December. The Canon RF 5.2mm f/2.8 L Dual Fisheye lens is due to arrive in December with an estimated retail price of $1,999. An EOS VR Plug-In for Adobe Premiere Pro will further enhance workflow options. Canon EOS VR Utility will allow users to convert clips from a dual fisheye image to equirectangular and make quick edits and exports.
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Accomplished by recording left and right fisheye images to a single full-frame image sensor, this design helps to solve common VR challenges of stitching and synching, by outputting one single image file.' Although full details have not yet been revealed, Canon says it is working on two paid subscription-based software solutions to complete the VR post-production process. Canon RF 5.2mm f/2.8 L Dual Fisheye lens on Canon EOS R5 cameraĬanon writes, 'The EOS VR System's convenient workflow is a standout feature.
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